All-You-Can-Eat Lobster and Steak: Fallbrook
Rotary Club Hosts 6th Annual Lobster on the Green
Lobsters
are interesting little creatures. These clawed crustaceans have kidneys
in their heads, teeth in their stomachs, and if cooked just right they
taste delicious!
The latter is one of the reasons “Lobster on the Green”
has become such a hit for The Rotary Club of Fallbrook.
This year’s event will take place Friday, Sept. 5 at the Ingold
Sports Park in Fallbrook.
Now in its 6th year, the all-you-can-eat Maine lobster and steak event
remains the sole fund-raiser for the organization.
“Lobster on the Green has been very good for our Rotary Club,”
said Howard Clark, event founder and this year’s event chairman.
“When I first brought the idea to the club almost eight years
ago, there were many raised eyebrows and the general consensus was ‘Howard’s
really lost it this time.’ We were hoping for two hundred people
to break even that first year, but over four hundred and fifty attended.
As the saying goes, the rest is history.”
The largest group has been more than 800 people, which is also this
year’s attendance goal. While Lobster on the Green is meant to
be an evening of fun and socializing, it serves a greater purpose.
“We have returned almost $200,000 over the last five years to
numerous charities and groups here in the Fallbrook community,”
Clark said. “All the money raised stays here.”
The money raised-to-date conveys the generous hearts of the community
and makes a big difference. Last year alone, the Rotary Club of Fallbrook
wrote $53,000 in checks to local clubs and organizations including the
Boys & Girls Club, Friends of the Library, Fallbrook Music Society
Youth Programs, Fallbrook Food Pantry and more. Funds also went to the
Sheriff’s department, the California Highway Patrol, firefighters
and the military.
Speaking of the military, each year the Rotarians host an honorary table
at the event. This year there will be a special table for wounded Marines
from Camp Pendleton. Other plans include a live and silent auction,
and a concert. The live concert is a new idea, and was secured in association
with the Fallbrook Americana Music Series.
Clark said they hope that the concert, which is sponsored by Markstein
Beverage Distributors, will encourage patrons to stay a little longer
and enjoy the whole event rather than leave after dinner.
“We want to make it more of an evening affair…a night of
entertainment,” Clark explained.
The concert will feature Judy Taylor and the Wild Oats. Taylor is an
accomplished musician and an award-winning singer/songwriter specializing
in Wild West shows and Western performances.
For just $75 a person, you can enjoy this evening of fun. The price
includes a delicious meal of fresh Maine lobster, choice sirloin steak,
coleslaw, corn on the cob, dessert and more with beer and wine available
for purchase.
The money goes directly to the Rotary Club and into the hands of the
community.
“We figure as long as we provide a good product, which we do,
people will come back year after year,” Clark said. “The
fact that the money goes to a good cause is incentive to come, but the
fact that the food is good is even more of a reason.”
Clark attributes the success of the food preparation and cooking to
their chef, Joe Fedorchek, who along with his brother own the El Jardin
Mexican Restaurant in Fallbrook.
“It takes work to keep the lobster fresh when cooking for a large
number of people,” Clark said. “There is a fine balance
to keep the lobster from getting too rubbery and to serve it up right.”
Of course, such an event would not be possible without volunteers. Clark
said the Rotarians and their wives and a group of young high schoolers
volunteer hours of their time.
Gates for Lobster on the Green open at 5 p.m. Dinner will be served
at 6:30 p.m. with the live auction and concert to follow.
Some of the items being auctioned off include a tour of the US Navy’s
Landing Craft Air Cushion (LCAC), and a custom bronze sculpture.
The sculpture was specifically designed for the auction by local Rotarian
Dr. Jim Helms, whose work took home “Best of Show” at the
2008 San Diego County Fair. The LCAC is a high-speed, over-the-beach
amphibious landing craft used to transport the weapons systems, equipment,
cargo and personnel of the Marine Air-Ground Task Force. The auction
item includes lunch with the commander.
Guests are definitely in for some entertainment, and the new venue is
ideal for the festivities. Ingold Sports Park was named after its benefactor,
Arlyne Ingold, who is this year’s Title Sponsor.
“We’re really excited about the venue and Mrs. Ingold’s
participation,” Clark said. “Her husband Bob was a long
time member of our Rotary Club, and she is an honorary member.”
Additional sponsors are County Supervisor Bill Horn (Platinum Sponsor),
The Hegart Group Bancamerica Investments, Paradise Chevrolet / Cadillac,
CB Landmark Realty and Major Market (Diamond Sponsors), and The Village
News (Tiffany Sponsor).
For more information on Fallbrook Rotary Club’s Lobster on the
Green, call 760-510-0945 or go to www.fallbrookrotary.org.
Please note that tickets are sold in advance only.
Liberty
Quarry (Part II of II)
One
of the biggest concerns that opponents of the proposed Liberty Quarry
have is granite dust, especially silica dust into the air—threatening
respiratory systems of infants and the elderly. Especially in areas
subject to high winds.
As noted in Part I, the site is in Temecula, just over the Riverside
County line from Rainbow. It could break ground in 2011 and be operational
by 2012.
Dr. Daniel C. Robbins is a pediatrician who heads a group of 60 doctors
in the Temecula area who oppose the quarry. “Gary Johnson will
say that studies show that silica won’t harm people or reach their
lungs, but there are plenty of studies to the contrary,” he says.
Johnson is the project manager for the proposal the Granite Construction
Company has dubbed the “Liberty Quarry.”
“The specific details about what is dangerous about gravel quarries
is silica,” says Dr. Robbins. “Silica is so small that it
can travel long distances and get into small parts of our lungs. That
could be spread due to blasting and dust coming off the trucks that
are going to be making trips to our area,” he says.
Dr. Robbins, and most residents of Rainbow, argue that the mitigations
contained in an environmental impact report (EIR) (yet to be released
for this relatively young proposal) won’t necessarily happen once
the quarry is actually built.
Yes, they are attacking an EIR that hasn’t been written yet.
But the history of environmental activism shows that if you wait until
an EIR is issued a project may be so set in stone as to be nearly unstoppable.
They also know that the proponent will include many studies and make
many claims that may or may not happen.
But, they base many of their own objections and assumptions on quarries
built ten, 20 or 30 years ago.
There is no way to check the claims of mitigation for, say, the new
Rosemary’s Mountain Quarry, because it won’t start operation
for three years. Like Liberty, it will have many state-of-the-art mining
techniques designed to minimize dust.
Comparing Liberty’s planned operations to existing quarries in
Riverside and San Bernardino Counties is comparing apples to oranges.
“It would be night and day compared to the Indio Quarry,”
says Johnson. “That’s a thirty-year-old operation. It’s
not covered. There are no filters. It is not environmentally controlled.
“Yet when people take the time to visit it they don’t see
dust. It’s not noisy. There are some older quarries in Murrieta.
They don’t have nearly the environmental controls this one will
have and their levels are lower than standards set by state and federal
government,” he says.
One who started out as an opponent, but was eventually persuaded in
the other direction is a Temeku Hills, Temecula resident, Vince Davis,
who was asked one day to sign a petition against the quarry.
Davis decided to attend an open house and took the free tour of the
plant in Indio and of the proposed site.
“What I have seen is encouraging. They appear to be a group of
folks with a well thought out project. The sense I get is that they
are trying to put together a project that won’t be offensive.
“It became clear to me after taking the tour of the site. It’s
very remote. When you are up there, when you look five or seven miles
out, you can see a bit of De Luz, and a home in Fallbrook but nowhere
else. They told me ‘We are going to move that hill and revegetate
it so that those people won’t have to see the hole.’ What
goes through my mind, after I've taken the tour and been educated, is
to wonder how many of the opponents are willing to take the tour?”
“Even if environmental controls and mitigations are supposed to
happen in an environmental report doesn’t mean they will happen
in reality,” says Dr. Robbins, citing promised mitigations such
as watering down of soil and hours of operation.
Johnson says that data generated specific to this site indicate that
silica is not an issue.
“The analysis done for Liberty Quarry indicates that the level
of silica dust at our boundary is one hundred times lower than acceptable
levels. All of this has been reviewed by the Southcoast Air Quality
Management District,” he says.
Dr. Robbins doesn’t believe that Granite Construction Co. will
necessarily run its operation as promised. “If they don’t,
then all of the data that will be produced in any environmental impact
report can be thrown out,” he says.
“The unfortunate thing for Dr. Robbins,” says Johnson, “is
that he makes these blanket statements and provides nothing to support
it. He said he didn't need to read the reports and refused to meet with
us.
“What we did was go and find an expert, an epidemiologist with
twenty-five years of evaluating this issue to evaluate what level of
silica there would be at certain distances from the operation. He wrote
a report specific to the project, using his experience and concluded
that it is absolutely not a threat to the health of people,” says
Johnson.
That would be Dr. Patrick Hessel, who has spent his career evaluating
the health effects of silica, including five years among hard rock miners
in South Africa and researching occupational lung disease for 15 years
at the University of Alberta in Edmonton, Canada.
According to Hessel, “The environmental modeling data indicate
that the proposed quarry will not be a substantial contributor to ambient
levels of crystalline silica, and that ambient levels of crystalline
silica will remain well below California’s Reference Exposure
Level (REL)3 µg/m3.”
He adds, “…based on data from active quarries, the proposed
operations may have no measurable effect on ambient silica levels near
the facility. This is due, in part, to the presence of existing background
levels of silica from natural sources (the natural geology of the area
coupled with high winds) and traffic.”
According to Hessel, Silicosis (also known as Grinder’s disease
and Potter’s rot) an occupational lung disease caused by inhaling
crystalline silica dust, is a problem for workers exposed long-term
to silica dust without dust suppression or respiratory protection.
He writes, “The levels of ambient silica near the proposed facility
will be orders of magnitude lower than levels that have been shown to
cause silicosis in occupational studies due to the nature of the operations
and dust control measures at the facility.”
The opponents scoff at Dr. Hessel’s findings because he was paid
to do his report.
To which Johnson retorts, “Find me the expert who doesn’t
expect to get paid for his work!”
Opponents of the quarry have other reasons for opposing it.
One is home prices. Jerri Arganda of Rainbow Against the Quarry tells
of real estate agents in Temecula who lost sales when they disclosed
that a quarry might be in the area.
Another worry is the effect of the quarry on the Santa Ana–Palomar
Wildlife Corridor, the last wildlife corridor in Southern California
that ties the coast habitat to Palomar Mountain.
“The quarry is right in the middle of it,” says Jim Mitchell,
president of the Santa Margarita Sierra Club chapter, a division of
the San Gorgonio Sierra Club. “That wildlife linkage is alive
with mountain lions, foxes, coyotes. It is critical for a species to
have an unbroken corridor if it is to be able to spread their DNA around.”
Finally, they are also concerned about the effects of the quarry on
the Santa Margarita River, which the U.S. Bureau of Reclamation calls
one of the most important rivers in the state because it is one of the
last free flowing coast inland rivers in California.
According to Mitchell, “When they dig down one thousand feet there’s
going to be seepage into the watershed. So what doesn’t end up
going into the air will end up in the river!”
To read more about the Liberty Quarry from the perspective of Gary Johnson
and the Granite Construction Co., visit libertyquarryfacts.com/
To read more about what those against the quarry are saying, visit their
Web site: www.libertyquarry.com
or www.nogravelquarry.com/
John
Deck: Saddle Maker
The life of a cowboy isn’t easy.
But thanks to John Deck, cowpokes across the U.S. and parts of Europe
can ride in comfort and style.
Deck has been making Western saddles for more than 40 years, a passion
that began when he was growing up in South Dakota.
“I had to ride with the trash nobody else would ride,” he
says. “And it got to the point where I wanted to make my own so
I’d have something good to ride.”
Since then, Deck has made saddles commercially, most recently through
his business, John’s Saddle & Pack.
Deck learned the art of saddle-making from his friend Bruce Larner when
the two worked together shoeing horses in Bellflower in the early 1960s.
“It took me a lot of years to find somebody to show me how it’s
done,” Deck says. “It was like it was some kind of a big
secret or something. Once I learned it, I didn’t really see what’s
so secret about it.”
The art of saddle making involves at least eight separate steps, including
shaping the rawhide covered tree, skiving the leather to make it even,
and seating the leather before fitting it onto the tree.
Deck says he enjoys the process of making saddles and working with leather,
and also says he never expected his handiwork to be so popular.
“I started out just making them for myself. I never thought of
making them for anybody else,” he says. “But then my buddies
wanted me to make some for them, so they’d buy the materials and
I’d make one for them.”
Now, Deck says his saddles have found homes in various places across
the United States, and a few have even found their way to Switzerland.
“I used to work up at Rawhide Ranch in Bonsall, and I got to meet
some of the counselors from a kids camp up there,” he explains.
“One of the girls was from Switzerland and was going to school
out here, and I ended up making three or four saddles for her to take
back home.”
Deck, along with his wife Raylene and their two sons, John and James,
have lived in California for nearly 19 years—a big improvement
over life in South Dakota, as Deck recalls.
“When I got out of the service, I married a girl from San Diego,
but we moved back [to South Dakota],” he says. “Well, winter
came along and I took a job feeding cattle, and I was out working from
sunrise ‘til past ten every day. I figured there’s got to
be a better way, so we packed up and came to California.”
Deck and the family moved to Ramona initially, then spent time in Norco,
Chino, Bonsall and Bellflower before settling down.
He also does some minor blacksmith work, including making bridle bits.
One of his bits is currently on display at the Valley Center History
Museum.
Even though he’s retired from the commercial aspect of saddle
making, Deck says his passion for the craft he loves has kept him going
through the years.
“I love working with leather,” he says. “But whatever
you do, you’ve got to have your heart in it in order for it to
work.”
760-751-1306
The
History of Castle Creek
In
2004 Larry Taylor of Castle Creek put together some notes and an article
on his research into the history of Castle Creek.
This article is based on those notes and on some other sources that
we found.
You can read the complete story by visiting the Castle Creek Country
Club’s Web site: www.castlecreekcc.com/club_history.htm/
In his introduction Taylor wrote “While researching the history
of our club, it became readily apparent that there was more information
available than my wildest dreams.
“From the early Indians to gun-slinging episodes to one man’s
obsession to build a championship golf course, Castle Creek’s
history is full of rich and colorful stories.”
The man, whose obsession to build a golf course, was Art Doherty, who
began planning his masterpiece in 1947.
But, as Taylor points out, the history of Castle Creek goes way back
before that.
As long as 10,000 years ago, there is evidence of people living in the
area that became known as Castle Creek, including grinding stones on
the golf course, indicative of a village.
One of the areas where there is considerable evidence of people was
Pamoosa Canyon. Pamoosa is allegedly an Indian name meaning “bearded
face,” referring to the rock next to the waterfall in Moosa Creek.
Some people doubt that derivation since beards were very uncommon among
Native Americans in that era. However, the name was later shortened
to Moosa Creek so as to avoid confusion with other similar-sounding
names in the area—such as Poway.
A large oak (now only a stump) on the golf course was once called the
Pow Wow Tree because it was supposedly a place where Indian men and
women would gather—while the women worked!
The Indians were called the Pumusi, although they were part of a larger
cultural and ethnic group known as the Luiseño.
The Spanish Conquistadors arrived in San Diego county in 1769 and soon
created their network of missions, including the San Luis Rey Mission,
which included the Castle Creek area as part of its territory.
A hundred years later that territory was part of the large land grant
that was awarded to Pio Pico, the last Mexican governor of California,
as part of the treaty that ended the Mexican American War of 1845-46.
During the period of the Wild West there was a village of Pamoosa and
Taylor’s history records, “There is an account of a small
town called Pamoosa, which appears to be located in the general vicinity
of the 16th green. In fact, there is a photograph showing the Moosa
Creek Post Office, which in reality is a small shed with a desk and
a few boxes.”
Castle Creek derives its name from the famous “Castle” that
was built in the 1890s by the famous Scottish artist Isaac Jenkinson
Frazee as a replica of a Scottish castle.
According to Valley Center historian Bob Lerner, in 1914 Frazee staged
the “Peace Pipe Pageant,” which the Sunset magazine described
as one of the most remarkable outdoor pageants in all of California.”
The reviewer said an audience of 1,500 came to the event on opening
night, even though there was seating for fewer than 500. “Hundreds
of conveyances of every style carried the audience,” he noted,
“from the primitive ranch wagon cushioned with hay and drawn by
plow horses to the up-to-date limousine.”
A review of the pageant in the San Diego Union noted that illumination
was provided by kerosene lamps and automobile and truck lights. The
critic complimented Frazee’s wife for creating the wigs and costumes
for the 40-member cast with fibers grown in the hills surrounding their
home in Moosa Canyon, according to Lerner.
In 1888, the most famous armed conflict in the history of the area took
place: the Moosa gunfight.
This also took place where part of the golf course is now, near Old
Castle Road.
It involved squatters and the homesteaded owner of the property there.
The owner, a man named Levi Stone, was a honeybee farmer. He left the
state for a few months and when he returned found squatters on his property,
including a peg-legged man who advised Stone to “bring an army”
if he wanted to evict him.
A six-man posse was sent and a gunfight ensued that left five people
dead, including two members of the posse.
In the early part of the last century a cattle rancher named O. D. Reed
bought 778 acres that included what is now Castle Creek Golf Course
and Moosa Canyon. He called the ranch Circle R, after himself.
The ranch was later purchased by another owner who turned it into a
farm that, along with cattle, raised Tennessee Walking Horses.
Eventually, in 1945 it was sold to two business partners, Art Doherty
and Gil Sinclair.
They tried farming, but decided that this wasn’t going to be a
success due to poor wells and a creek that only flowed occasionally.
Sinclair left the partnership and Doherty decided to build a golf course.
He asked for bids, but as the lowest was $3,000, he decided he would
do the work himself!
There was an old mission school and a school dormitory on the property
that Doherty turned into a clubhouse, coffee shop and pro shop. The
existing horse stables were converted to store golf carts.
The golf course opened for business in 1949. Men’s and women’s
clubs formed in the early 1950s and in 1955 Doherty decided to add another
nine holes.
Today, according to writer Taylor “Only the second, fourth, and
fifth greens have survived these years. One can notice the difference
in these 3 greens when compared to the others.”
During the 1960s a trading post and gas station were built where Creekside
Veterinary Service is now located on Old Castle Road. During that decade
the red barn, which has a big circle and an R was built as a storage
facility.
In 1970 the father of the course, Art Doherty died. In the late 1970s
the course was badly damaged by some of the wettest years on record
in San Diego county.
Under the ownership of a Taiwanese-American investment group the golf
course was completely renovated, or according to Taylor, “completely
changed, with no hole unscathed.”
In 1989 a Japanese corporation bought the property, changed the name
from Circle R to Castle Creek and apparently insulted all of the old
timers by putting up photos of famous Japanese golf courses throughout
the clubhouse.
As the Japanese economy declined, the investors decided to sell Castle
Creek Golf Course to Josephine Development LLC, which made plans to
bring the golf course back to its old glory—and apparently succeeded
by all accounts.
You’ll still find references to the builder of the course in Doherty’s
Dream, named for the 1948 founder of the course. It is a 370-yard straight
up the hill par 4 to the clubhouse.
Currently there are plans to build a 63 unit senior living condominium
on 5.5. acres in the Circle R area as part of the Circle R Resort Specific
Plan that was adopted in 1978 by the Board of Supervisors.
A
Perfect Day At Yankee Stadium
By Dale Good
Shirley and I have some friends who live in Manhattan and summer at
their inn in Cooperstown, New York, the home of baseball’s hall
of fame.
They are rabid Yankee fans, and in 2004 when the Red Sox defeated the
Yankees in that dramatic league championship series by coming back from
a 3 games to 0 deficit, they refused to take reservations at their inn
from anyone in Boston.
Their daughter some years ago in her senior year in high school had
applied to one college and one college only, Yale. It was Yale or nothing.
That same spring our friends—including their daughter—had
season opening tickets at Yankee Stadium against the hated Red Sox.
It was a glorious spring day in New York. My friend went downstairs
from his walk-up to check the morning mail before leaving for the Bronx.
Inside the mail box was a large envelope from Yale addressed to his
daughter. He lifted it up to the sunlight and could see through the
envelope the word “congratulations.”
He stuffed the envelope into his coat pocket bound and determined to
have it make an appearance at the appropriate time. That time was at
the 7th inning stretch on opening day under a glorious spring sky with
the Yankees bombing the Red Sox and his daughter was going to Yale,
how perfect!
When I was a kid growing up in Tucson, Arizona, in the mid ’50s
and early ’60s, long before cable TV, the only major league baseball
game that I could watch on TV was the CBS Game of the Week. I would
always reserve my Saturdays, late mornings and early afternoons, for
the game.
Allowing for the three-hour time difference the game would always start
about 10:30 each Saturday morning from April until seasons end in September.
In the mid ’50s there were no west coast teams, the Dodgers were
still in Brooklyn playing at historic Ebbets Field and the Giants were
in New York City still playing at the equally historic Polo Grounds.
In 1958, the Dodgers and Giants moved west and the Polo Grounds and
Ebbets Field were both torn down. Now, over half a century later. the
grand dame of sports arenas will follow (at the end of this baseball
season) Ebbets Field and the Polo Grounds. Of course, the Yankees aren’t
going west and there will be a new Yankee Stadium built next door, but
nonetheless, for any baseball fan my age or older, Yankee Stadium holds
a special place in our memories.
Although the CBS Baseball Game of the Week did not always feature the
Yankees, you could count on about half the weekly broadcasts during
the season coming from the “House that Ruth Built.” In the
early 1960s, when CBS bought the Yankees, the game of the week became
a Yankee Game of the Week.
I hated the Yankees, I was a Dodger fan, and my idol was Pee Wee Reese—who
by the way—is still my pick for starting shortstop on my all time
All Star team. My center fielder is the “Duke of Flatbush, Snider
not Mickey Mantle or Willie Mays, and I loved the Reading Rifle, Carl
Furillo, because he was from my hometown, Reading, Pennsylvania. By
the way, he got that nickname for his strong accurate right arm, not
a firearm.
But since the Dodgers were in the National League and the Yankees in
the American, I rarely saw the Dodgers, even more of a reason to hate
the Yankees. I loved watching the game when Detroit was playing the
Yankees and a pitcher by the name of Frank Lary was pitching for the
Tigers. Lary really had the Yankee hitters number and in 1958 was 7-0
against them.
Another reason to hate the Yankees was that the Cleveland Indians did
their spring training in Tucson, and they quickly became my American
League team.
The Game of the Week announcers were Buddy Blackner and the colorful
ex-Cardinal pitcher Dizzy Dean. Later Pee Wee would team up with ‘ol
Diz when Blackner retired which made the weekly telecast even better
for me.
Sometimes in the banter between Diz and Pee Wee, I could hear PA announcer
Bob Sheppard, the Yankee PA announcer since 1951, say “now batting
number 7, Mickey Mantle, centerfield,”—sheer poetry.
I hated the Yankees but I loved Yankee Stadium. The idea that I would
see the Yankees play baseball there was my childhood dream. A dream
that in the mid ’80s, well after the early 1970’s renovation
of the stadium, would come true. I remember walking through the tunnel
to my seat and getting my first look at the field—it literally
took my breath away.
My seat was down the right field line. I surveyed the entire right field
from infield dirt to right field fence as if to expect the Babe to appear.
Then out to centerfield, where DiMaggio patrolled from the late ’30s
to the early ’50s, and then onto the infield where Gehrig had
that unbelievable games played streak.
After all, this was the place where the most famous speech in baseball
history was made, Gehrig’s farewell, and years later a cancer-ravaged
Babe Ruth gave his farewell speech.
It was where Don Larson in 1956 pitched the only perfect game in World
Series history, unfortunately, against my beloved Dodgers, and then
had to endure Yogi Berra leaping into his arms and bear hugging him,
creating for some photographer the most famous baseball picture of all
time.
This was the place, and I was in awe. There was and still is no better
place to be.
But Yankee Stadium is not just about baseball games. Its history covers
the spectrum of sports and even religion. On December 28, 1958, the
stadium hosted a professional football game that has been called the
greatest football game ever played: the game that made the NFL, the
championship overtime game between the Baltimore Colts and their quarterback,
Johnny Unites, and the New York Giants. A game won in overtime, by the
way, by another Reading, Pennsylvania guy, Alan Ameche of the Colts.
Jack Dempsey fought at Yankee Stadium, so did Gene Tunney, Sugar Ray
Robinson, Rocky Graziano and Muhammad Ali, and in 1938, with Adolf Hitler
imploring his fighter in arguably the most famous heavy weight bout
of all time, Joe Louis defeated German Max Schmeling with a first round
knockout. It was one of eight fights that Louis had in Yankee Stadium.
For nearly two decades, from the early ’30s into the ’40s,
the annual Notre Dame/Army football game was played at Yankee Stadium
when both were national football powers. And in 1928 with the score
tied 0-0, Knute Rockne gave his famous, “win one for the Gipper”
speech in the locker room at Yankee Stadium. Oh my, it’s as if
anything worth happening happened at Yankee Stadium.
And not just the sports world celebrated Yankee Stadium. Three popes
celebrated Mass at Yankee Stadium.
It now appears that with the Yankees 10 games out of first place in
their division that the last game at Yankee Stadium will be Sept. 21
against the Baltimore Orioles.
I just can’t believe that saving this great sports monument would
be more difficult than sending a man to the moon. I’m hoping that
one of my family members will read this and for an early Christmas present
get me an airline ticket to New York sometime between now and Sept.
21 so that I can hit my bank account and buy a ticket one final time.
Even if it is the Yankees, not the Dodgers, it’s still Yankee
Stadium.
Ladies
Night Out: An Evening of Education and Camaraderie
Attention
ladies! You work, you clean, you cure colds and let pets out the door.
You cook, you chauffeur, you do laundry and then you clean some more.
You deserve a night out (even if you don’t do all these things!)
Why not surround yourself with friends and pamper yourself with knowledge
at Fallbrook Hospital’s Healthy Woman program?
The Healthy Woman program is a free community resource designed to empower
women with the knowledge and confidence to make informed healthcare
and well-being decisions for themselves and their loved ones.
Since May of 2007, Fallbrook Hospital has featured monthly Healthy Woman
events focusing on women’s issues and healthcare choices.
According to Marketing Director Monique Murphy-Mijares, the program
has been very successful and membership continues to grow.
“The sessions are very well-attended,” Murphy-Mijares said.
“We currently have 785 members with an average attendance of about
90 people at each event.”
Like many other popular events, Healthy Woman started simply because
nothing like it previously existed in the area.
“There wasn’t really a way to address emotional healthcare
and life management skills,” Murphy-Mijares said. “We saw
it as a well-needed program for the community, and we’ve certainly
proven that by the attendance and the interest from the ladies.”
Ranging from medical concerns to medical decisions, topics for the program
are chosen by a community women’s advisory council and by the
hospital’s business partners.
“Our business partners play an integral role,” Murphy-Mijares
explains. “This event is free of charge because of their support
and participation.”
Businesses such as Graybill Medical Group and Rancho Family Medical
Group sponsor food and supply professional speakers for many of the
events. In return, the events are often held at the various partner
sites to help with publicity and to expose people to their facilities
and services.
Whether it’s learning to deal with an overactive bladder or ways
to beat the heat—these evenings of education are very beneficial.
They include food, fun, door prizes and social networking opportunities.
“The evening starts around 5:30 p.m. with food and the programs
begin at 6 p.m.,” Murphy-Mijares said. “The night consists
of two speakers each giving a half-hour presentation. If I find there
is a lot of interest in any particular topic, I will allow for more
question and answer time.”
To attend Healthy Woman, you must first sign up for a free membership
through Fallbrook Hospital. Once you are a member you will receive e-mails
and mailings with details on upcoming Healthy Woman events.
Since seating is limited, you are asked to RSVP for the events you and
your friends wish to attend.
For more information on Healthy Woman, or to register and/or RSVP for
an event, visit www.fallbrookhospital.com,
or call 760-731-8432.
Aunt
Kizzy'z Boys Reach For The Golden Ring After Years On The Road
What could be sweeter than achieving musical success in middle age?
The odyssey of Aunt Kizzy’z Boyz shows that there are second acts—and,
although it’s probably too early to say for sure, this Fallbrook-based
band looks to be on the verge of breaking into the big time.
Sugaray, the lead singer, is, at 42, the youngest of this group of dedicated
bluesmen. The oldest ones are 56.
Sugaray (his full name is Caron “Sugaray” Rayford) is a
big, very tall man with a shaved skull. He used to be a bouncer and
owned a security company when he was younger—and looks it.
On the same day that I interviewed Sugaray, the group had just signed
its first contract with a major record company, RBC Records. Through
them you will be able to buy their second record, It’s Tight
Like That, anywhere, except Wal-Mart.
Their first album, Trunk Full of Blues, they produced and distributed
themselves.
Band members include Jimmy King, lead guitar; Sugaray, lead signer;
Bastos Moehno, percussion; Dwane Hathorn, drums; Joseph Schivone, bass
and Michael Mack, keyboard.
Sugaray is a self-described Texas Blues Man, which is the title of one
of the songs in It’s Tight Like That.
He wrote that song because he is from Tyler, Texas—born and raised—
and his brothers got on his case because he didn’t do enough songs
about Texas even though that’s his roots.
“I wrote it so we wouldn’t forget where I’m from,”
he recalls.
Another original song is Annie Mae’s Cafe that he wrote
for his wife, whom he met in a nightclub where he was a bouncer. They’ve
been married four years. The cafe, by the way, is in Tunica, Mississippi—and
you can see it on the band’s Web site, half submerged from a day
when the levees failed—or so it looks.
The group is on the road 300 days out of the year. You read that right.
And when I say “on the road,” I mean that literally. They
still haven’t bought a bus for the band. The band members still
pile into their personal cars and drive to places like Memphis, Tennessee,
Mississippi, Missouri, Louisiana, Texas and San Francisco.
Jimmy brings his family. Usually Sugaray Mo and Dwane pile into Sugaray’s
car and Joe and Jimmy drive separate. Sometimes Joe and Mack will fly
in. Joe is the only guy in the band who still has a day job. He works
for Chrysler in Temecula.
Sometimes they fly. But usually they pull a trailer with all of the
band’s gear in it behind a truck.
But they are going places.
In 2006 they finished second place in the three-day International Blues
Challenge held in Memphis all up and down Beale Street, considered by
many to be the birthplace of the blues—where they competed against
bands from all over the world and were crowned the top unsigned blues
band.
In July they won Round #1 of LAMN Jam’s Urban Music Contest in
Los Angeles, where they beat R&B and Hip Hop bands on their home
turf—and much more important, wowed several music experts, including
one of the judges of the contest, RBC Records’s Brian Shafton,
who offered them a contract on the spot.
Sugaray savors that moment. “When we showed up for the contest
we didn’t know it was hip hop and R&B. All of these kids were
21, doing hip hop, funk and R&B, and we said to ourselves ‘What
are we doing here?’”
But “we blew the kids out of the water playing blues!”
They advanced to the finale of the Urban Music Contest on August 25.
Last November they traveled to France, where Sugaray had been several
times previously. He had talked the boys up about going there. He got
everything locked in and even rented a house in the French countryside.
“We got there and low-and-behold the entire transit system had
gone on strike. We are in the middle of the largest strike in their
modern history. We can’t get back and forth and the euro is killing
the dollar.”
Some taxi rides cost them $370 to go 40 kilometers.
“But we had a great time! It was wet and cold but we met some
of the most beautiful people. French blues people are some of the most
hospitable people I have ever met!” he says.
They plan to go back and right now are working on a one month trip to
Australia next year during their summer—our winter.
“It’s getting tiring living on the road,” admits Sugaray.
“It’s been five years straight. We never figured we would
get a record deal because we are older guys. We figured the way to do
it was the old-fashioned way to play your heart out and your soul out.
And we have been very blessed because we have been willing to do that.”
The fruits of that dedication are starting to ripen.
Jimmy and Dwane started the band ten years ago. Jimmy is originally
from California but his father is from Oklahoma. He grew up in the blues.
Sugaray grew up in gospel and the blues. He became interested in music
while attending church as a child.
They play traditional blues, although some is “blues of the day,”
as Sugaray describes it.
“We are blues men but we are blues men who live in 2008. We believe
in preserving the past but we reflect the day,” he says.
Ninety percent of what they play they have written, although that depends
on the venues.
Where I first saw the band was at Harrah’s Rincon Casino, where
they play to appreciative audiences about once a month.
“We’re the only blues band that plays most of the major
casinos from San Diego to San Francisco on a regular basis,” says
Sugaray with satisfaction. “I think that’s pretty big.”
They are trying to get an invitation to play in Las Vegas, and they
plan to intensify their efforts once they sign their record deal.
When they play at casinos they play half their own songs and half recognizable
songs.
But when they play at festivals 90% of what they play they wrote themselves.
“When we play the festivals they get more of ‘us’
because they are there to see ‘us,’” he says.
Sugaray has written most of the songs. “But sometimes Jimmy will
come up with a great lick and I will take it from there and run with
it,” he says.
It’s a very collaborative process, especially in their second
album. Sugaray writes the songs and lyrics with Jimmy, who sometimes
will have some music in his head or something he heard years ago—then
that will get added.
Sugaray recently moved to Los Angeles, although he still calls Fallbrook
home because that’s where his six acre avocado ranch is. Joe continues
to live in Fallbrook.
But you probably won’t find avocados on the menu when Sugaray
gets to eat the kind of cuisine he prefers.
“I love catfish, collard greens and ribs,” he says with
some satisfaction. “And chitlings every once in a while.”
A true blues man whose love of the music is much stronger than his love
of money, every Monday Sugaray runs a pro blues jam at Cozy’s
- Blues Club and Restaurant in Los Angeles—the premier blues club
in L.A.
“I get lots of great people in there. Had Bobby Brown two weeks
ago.” It’s free to anyone who cares to come and listen.
The jammin’ starts at 9 p.m., and when it ends is anybody’s
guess.
An
Artful Second Half
Escondido artists Gary Harper and his wife, Edith Garcia Velazquez,
both reinvented themselves in middle age from other professions to become
full-time commercial artists in the second half of their lives.
Harper is a self-taught artist whose first half of life was as a corporate
executive, mainly as a director of marketing and sales. He had been
painting since he was a teen, but only became a commercial artist after
he decided to change careers.
“I went back to look at what made me successful in my business
career and it came back to my love of art,” he recalls. In 1997
at the age of 43 he “reinvented” himself.
“I determined to go ahead and pursue art. I did some paintings
and the response was good. I said ‘I’m going to do this!’
”
Velazquez studied art at the University of Puerto Rico where she earned
a BA in fine arts. She worked as an art teacher for many years in Puerto
Rico and New York City before moving to California in 1997, where she
became a full-time artist.
They met at an art show in 1999 and immediately felt a kinship.
He recalls what he thought: “I said to myself when I met her,
‘I’m going to marry her,’ although I didn’t
say it to her at the time.”
Eventually they quit what they were doing before to practice art full-time.
They developed a marketing plan and pursued the galleries that did their
type of work.
They were accepted and began to sell their works.
When they say, “our type of art,” they mean abstract expressionist,
art that is non-figurative, is an expression of the artist’s feelings,
emotions—a spontaneous process. Based mostly on textures and colors.
It could be abstracted landscapes. It could be taking a memory of a
scene and translating it to color. It’s a subjective interpretation
of reality.
They were married in 1999 and moved to Borrego Springs, which has a
thriving artists community. Their life there was all about art and very
little else.
They started a company together called Azul Fine Art.
She picked that name because that color (azul) evokes scenes that are
spiritual, like heaven, and reminds her of a book, Azul, by
Chilean poet Ruben Dario.
One of their biggest customers is Valley View Casino. Once the refuge
of kitsch and pop culture, today’s casinos are sometimes also
the patrons of the fine arts to some of its most creative modern practitioners—having
the same relationship as the Medicis or the Borgias had to artists like
Leonardo or Michelangelo.
The couple painted some striking abstract impressionist pieces that
you will see in some of the new facilities of Valley View Casino, such
as BLD’s.
Seventy of their paintings hang in various parts of the casino, in executive
offices and restaurants.
Some are sculptural, like the mandalas made of metals and resins and
built up in multi-dimensions that Harper is known for. His paintings
are all textural, taking the term “painting” to a new level.
One of Velazquez’s pieces was commissioned for the wine room of
the super-glitzy Black & Blue steak house.
Harper and Velazquez spend half of their time in California and half
in her native Puerto Rico where she also has a studio.
When 9/11 hit, the art market went into a tail spin. “We said
we’d better go to where the market is larger and so we moved to
San Diego and then Escondido,” he recalls.
Their works began to appear in the Michael Collins Gallery in Escondido.
They pursued other art galleries, and were eventually accepted in some
of the best in the region, including the Denise Roberge in Palm Desert,
the Tracy Renee Gallery in Escondido, the Obernier in La Jolla and the
Elizabeth Edwards in Palm Desert and Laguna.
Although they have done some pieces together, they each have highly
individual styles. But eventually those styles would collide—literally!
By accident one of her paintings leaned against his and the media commingled.
They liked the result and decided to collaborate on one with the background
by him and foreground by her. Several of these are in Valley View Casino.
Whatever they do next, I expect that it will reflect their own inner
energy and light. 760-741-3999.
Charros
De Escondido
If you enjoy horsemanship and rodeo, you will enjoy the culture, tradition,
sport, and art of the Charros de Escondido.
“La Charreada,” or Mexican-style rodeo, is different from
other rodeos. Mexican cowboys are known as “charros.” Mexican
cowgirls are known as “charras.” Both participate in La
Charreada.
The first authentic charro came from the small landholders, and rancheros
(ranchers). They were the originators of the charreada and would soon
be teaching their skills to others in North, Central and South America.
This sport and culture of Charreria has endured for over 500 years,
irrespective of borders and has provided a way to establish relations
between countries.
Participation in charreada involves the entire family and friends from
all backgrounds, whether as equestrians, trainers, musicians, audience,
or costume designers.
The Charreria consists of nine events, eight for men and one for women:
1. Cala de Caballo (Test of the horse), consists of a controlled slide,
left and right half, full and triple turns, a dismount and mount, and
reverse walk. These maneuvers demonstrate the charro’s horsemanship
and the horse’s training.
2. Piales en Lienzo (Roping of the feet). The horseman has three opportunities
to throw a lariat letting a wild horse run through the loop—catching
it by the hind legs.
3. Coleadero, or Colas en el Lienzo (Arena bull tailing) a lot like
bull dogging except the rider never (hopefully!) leaves the horse. Points
are given for technique, time, fall of the bull and roll as the horseman
rides on the left side of the bull and wraps its tail around his right
leg.
4. Jineto de Toro (Bull Riding) similar to rodeo event bull riding.
The bulls are smaller, 990-1320 pounds. Two hands are used. The bull
is ridden until it stops bucking. The charro must dismount and land
upright. After the ride he must also remove the bullrope and bellrope
so that the next event, the Terna en el Ruedo, can take place.
5. Terna en el Ruedo (Team of Three) team roping event. Three charros
try to rope a bull, one by neck, one by its hind leg, and the last ties
the feet together, all within six minutes.
6. Jineto de Yegua (Bareback on a wild mare). A Yegua, or wild mare
is ridden with a bullrope, two hands are used and the legs must be held
horizontally to the ground.
7. Manganas a Pie (Roping done on foot) the charro has to rope the hind
legs and fore legs of a mare to bring it down. This is done either on
foot or horseback.
8. Maganas a Caballo (Roping from horseback). Three opportunities are
given for a charro to rope a wild mare by its front legs. The mare is
pursued around the ring by three mounted charros. Points are awarded
for time and rope tricks. Eight minutes are given.
9. El Paso de la Muerte (The pass of death). The most dangerous of the
nine events. A charro riding bareback, with reins, tries to leap from
his horse to the bareback of a wild horse without reins and must ride
it until the horse stops bucking. What makes it dangerous is if he fails
to make the leap and falls to the ground he will be trampled by the
three mounted charros pursuing the wild mare around the arena.
Some charros, to add a little spice, will perform this feat of skill
while riding backwards.
The Women’s Event
The women’s event is called Escaramuzca or skirmish in English.
It adds a touch of elegance and beauty to the Charreada. It is comprised
of a team of 8-12 women riding sidesaddle and dressed in colorful Adelita
dresses who perform various precision riding techniques. It takes years
of training. Rider and horse are held to a strict standard of rules
that makes this event art, sport, and an extension of the culture that
is Charreria.
La Charreada is a colorful event, with magnificent horsemen and horsewomen,
and highly trained horses. The spirit and cultural traditions of Charreria
is an experience you won’t soon forget.
The Charros de Escondido arena is located just west of the Escondido
Dog Park off of East Valley Parkway.
Events are held on Sundays twice a month, weather permitting. Be assured
that all precautions are made to ensure the safety of spectators, participants
and animals.
Bonsall's
Aloha: As Sweet As It Gets!
Twenty seven-year-old and mother of two, Leilani Piasecki, doesn’t
keep a single tub of ice cream in her house. But before you start feeling
bad for her husband and children, you should know Piasecki owns Leilani’s
Ice Creamery & Fudge shop in Bonsall.
Yeah – her family gets goodies whenever they want.
With ice cream, candy, coffee, fudge, shaved ice, waffle cones, sodas,
milkshakes, sundaes and more, Leilani’s Ice Creamery & Fudge
fits the mold of an old-fashioned mom and pop ice cream parlor.
But more than simply looking the part, this quaint little shop emanates
traditional goodness from its Hawaiian décor to the photos of
friends and family on the wall.
“There’s just something about the charm of a mom and pop
shop,” Piasecki said. “There are no franchise rules, so
there is more freedom and flexibility.”
One example of flexibility was when the company’s credit card
machine was down.
“People kept coming in with credit cards, so for two weeks we
issued IOU’s,” Piasecki said. “And every single one
was paid. That’s something you can only do with a small shop in
a small town.”
Piasecki notes that 90% of her visitors are repeat customers.
“The first year they were strangers,” Piasecki remarked.
“Now they’re friends we see everywhere. That’s part
of the reason we like it here. We always joke that we could serve ice
and still love it.”
It was the warm, friendly, family-oriented feel of the community that
helped determine the shop’s Hawaiian theme.
“The aloha vibe in Hawaii is very similar to Bonsall and Fallbrook,”
Piasecki said.
Originally from Orange County, Piasecki moved with her family to Bonsall
after high school. She and her husband, Jeremy, bought the ice cream
parlor in 2001.
“I was pregnant with my first child,” Piasecki said. “Now
both my kids are growing up in the shop and learning how we run a business.
My five-year-old daughter knows how to work the cash register and give
correct change.”
Leilani’s Ice Creamery & Fudge shop is a boutique parlor that
carries gourmet ice cream, novelty candy and creamy and nutty homemade
fudge—the kind you can only find in a specialty shop.
With so many delicious flavors of ice cream, customers have a tough
decision. I opted for samples of the Peppermint, the Peach Cobbler,
the Pralines & Cream, the Lemon Meringue Pie and the Mango-Tangerine
sorbet….all of which made me want more.
The Pralines & Cream was my favorite. It’s rich with the perfect
blend of nutty texture. It is very sweet though, so you may prefer the
sugar-free version. (Piasecki always carries a sugar-free ice cream
for diabetics, and sorbet options for lactose intolerant customers).
For you peppermint fans, Leilani’s is one of few places that carry
Peppermint ice cream all year long. It’s dreamy. So is the Mango-Tangerine
sorbet that’s so light and fruity it leaves a cool blast of flavor
on your taste buds.
Then there is the Lemon Meringue Pie that tastes exactly like pie, and
while the Peach Cobbler could be a little peachier, it still tastes
like the real thing.
Piasecki said the Dark Chocolate Peanut Butter is her number one seller,
but she was out that day. Don’t worry. It will be back.
“I carry what I need, sell it, then order some more,” Piasecki
claims. “The key is to keep it simple. I order once a week which
helps ensure the freshness of the product.”
Piasecki adds that everything in her shop rotates based on customer
demand.
“That’s what’s so cool about being a mom and pop,”
she exclaimed. “I can do special orders for my customers. I like
to cater their requests, and they know if I ordered or made something
just for them.”
In return, Piasecki is rewarded with big smiles, happy faces and loyal
customers.
“That’s one of the perks of running a small business,”
Piasecki said. “It’s personal. I know them and they know
me. We’ve watched each others’ families grow. How can that
not be awesome?”
Leilani’s Ice Creamery and Fudge is located at 5256 S. Mission
Road in Bonsall’s River Village Center. It’s open daily
from 11 a.m. to 9 p.m., with the exception of Sundays when it opens
at noon, and stays open until 10 p.m. on Fridays and Saturdays. For
more information, call 760-941-1422.
La
Cereza Winery and Gallery
Once upon a time there was a happy couple, Buddy & Cheri Linn, who
lived in a lovely home overlooking the vineyards in the breathtaking
Temecula Valley.
They so enjoyed sitting on their veranda, sipping wine, and taking in
the splendor of it all.
Then one day they looked out and saw a “For Sale” sign at
one of the wineries.
They went to bed so sad that night and both of them dreamed of sitting
on their veranda and looking at… condominiums! This could not
happen! They looked at each other, nodded, and bought the winery!
That was a little over three years ago. Today La Cereza Vineyard &
Winery is a successful Spanish-style winery, founded in 1994 as Van
Roekel Winery, and operated today by those two dreamers, Buddy &
Cheri Linn.
Winemaker Gus Vizgirda and Assistant Winemaker Jim Swelgin help the
Linns produce award-winning premium boutique wines, where every bottle
is an extraordinary creation in itself.
The labels are original works of art, the bottles hand-numbered, and
stories of adventure and intrigue are displayed on the back labels.
Winemaker Gus, a real down-to-earth kind of guy, was more than willing
to educate me not only about what is going on at La Cereza, but also
about Temecula Valley.
This area, not Napa or Sonoma, is believed by many to be the home of
the first California winemakers, the missionaries.
Buddy and Cheri are keeping true to this history by creating a winery
with a Mediterranean flair, unique in design and architecture.
“Good wines start in the vineyard,” said Gus. “Two
years ago we started a five year vineyard management plan. The first
year we made a complete vineyard inventory along with a soil and nutrient
analysis. This year we are working on re-trellising certain sections
of the vineyard. We have set down plans for replanting some less productive
sections of the vineyard with newer clones that are better suited for
Temecula Valley.”
For 40 plus years, plants in Temecula have been planted east-west. Gus
is replanting his vineyards north-south, to take maximum advantage of
the soft sun in the morning and the very hot sun in the afternoon.
For 40 plus years, winemakers have used what is called the California
Sprawl system (two wires) of trellising. Gus is switching to the vertical
shoot position (six wires).
For 40 plus years vineyards were planted 450 plants per acre. Gus will
plant 750 plants per acre.
Why?
Experience and new technology prove that taking these steps will produce
more grapes with better quality; and will require less labor and be
more cost-effective. Can’t beat that!
Gus wants to “find and capture the distinct Temecula quality and
flavor” in the wines he produces for La Cereza.
Just as people recognize Philly for cheese steaks and New York for cheese
cake, Gus wants people to pick up a glass of wine and say, “This
is a Temecula wine.” He wants to retain regionalization, something
the larger wine producing areas are losing.
While Gus is exploring the progressive shifts in winemaking, Buddy and
Cheri have found new ways to explore the art and love of wine by creating
a most enjoyable and memorable experience in Temecula Valley. When you
visit La Cereza you feel joyful as soon as you enter the tasting room.
No stuffy wine drinkers here!
For example, La Cereza Winery released “Girlfriends,” the
first wine produced in Southern California that is designed specifically
to appeal to female palates.
“With women making 80 percent of the wine-buying decisions, why
not make a special wine just for them,” said Cheri Linn, who helped
create the unique wine, a blend of white wines combined with citrus,
melon and papaya. .
Going one-step further and as part of the winery’s belief in the
romantic appeal that the finer pleasures in life should be shared, La
Cereza introduced a one-of-a-kind, world-class cigar. The premium cigar
is named the “Girlfriends” Corona Light.
Cigar aficionados can enjoy this smooth and creamy cigar and others
at La Cereza’s Hemingway’s Wine & Cigar Bar.
The charming tasting room entrance leads into a rich and cultural room
overlooking lush picnic grounds and beautiful vineyards. The winery
offers an extensive list of varietals and blends (14 to be exact). The
Tempranillo, Garnacha, and Gewurtraminer are consistent winners in every
competition. The Viognier and Pinto Grigio have won Best of Class awards.
The bubbles and flavors of Peach Girls Champagne and Raspberry Champagne,
two bubblies created just for La Cereza, will certainly tickle your
fancies.
The richly designed tasting room, the Tank Room’s twinkle lights,
and the Fountain Plaza, combined with the lovely backdrop of an authentic-looking
monastery, cascading fountains, a gazebo with an elaborate dome, and
gently sloping vineyards, are some of the most mesmerizing spots in
Temecula Valley. La Cereza Winery is an ideal location for special events
and especially for weddings.
Their affinity for art and music inspired the Linns to host the Temecula
Wine Country Summer Concert Series. The outdoor concerts, produced by
Golden Crown Productions, will feature new wave rockers, The Motels,
on Saturday, Sept. 13, and the legendary Kris Kristofferson will close
out the series Saturday, Oct. 25.
Tickets for these evenings under the stars are available for the concert
at goldencrownproductions.com.
The tasting room is open daily 10 a.m.-5 p.m. Tastings are $10 for six
tastes and a logo glass.
The winery is located at 34567 Rancho California Rd., Temecula. Call
them 951-6761711, or visit their Web site at www.lacerezawinery.com.
And we come to the end of the day. The happy couple is sitting on their
veranda, overlooking their winery, sipping their wine. They look at
each other, smile, and say, “Now we can live happily ever after.”
I’ll drink to that.
Local
Golfer Joins 1,000 Volunteers at the 2008 U.S. Open
Even as Tiger Woods battled through the pain in his left knee to force
a playoff against Rocco Mediate and eventually gut out an unforgettable
win in the 2008 PGA Tour U.S. Open, the debate began: was this golf
tournament the best ever?
For local Circle R resident Bob Franck, the answer is a resounding yes.
Franck was one of more than 1,800 volunteers working at Torrey Pines
Golf Course when the pros came to play from June 9-15. He was one of
more than 50 workers on hole number eight.
“I play in a senior [golf] league down in San Diego County, and
one of the guys from the Balboa team mentioned that he was a hole captain
for the U.S. Open,” Franck says. “He said he needed fifty
guys to volunteer, so I said ‘yeah!’ We submitted our names
last summer and got our hole assignment in November.”
Franck and his golfing buddies had to undergo a background check during
the nearly year-long selection process, but when the tournament was
over, Franck says it was worth the wait.
“They treat the volunteers really nice,” he says. “There’s
a hospitality tent with fruit, doughnuts, coffee, sodas, and whatever
you could want. They also give you coupons for lunch, and they gave
us all kinds of souvenirs like shirts, jackets, hats, pins and a bunch
of other stuff.”
But more than just the swag, Franck says that getting to interact with
the players was something he’ll always remember.
“The players are really friendly, especially during the practice
rounds,” he says. “They’d come up and chit-chat with
you by the green, and they really went out of their way to express their
gratitude for the volunteers. They said it really makes the tournament
a lot of fun to play in.”
The fan-friendly atmosphere also led to a few humorous incidents, including
one involving a European golfer.
“A friend of mine’s daughter was there collecting signatures
on a flag, and [this European golfer] comes up the fairway and sees
her, and he goes over and signs her flag,” Franck recalls. “So
he’s talking with her when her dad comes up and wants to know
why [that man] is hitting on a seventeen-year-old girl. [The European]
says that all the players from [Great Britain] are friendly with the
fans like that, but the girl’s dad looked right at him and said
‘Yeah, well you’re in America now.’”
The action on the course was just as tough for the golfers, Franck says,
but the players seemed to have a healthy respect for the course itself.
“We saw a lot of bad shots; a few people got hit by a ball, and
a lot of shots ended up out of bounds,” he says. “I guess
even the pros have off days. But the course gave them all they could
handle, but all the players were saying how it played fair.”
Franck also noticed how much time the players put in to make their game
the best it can be.
“I was surprised by how small some of these guys are and still
see how far they can hit the ball,” he says. “But they practice
so much; I was talking with a guy at the practice green who watched
a golfer practice three-foot putts for about forty minutes. I can’t
imagine how much work they put in on everything else when they work
on little three-foot putts for forty minutes.”
Throughout the weekend, Franck watched the epic tournament unfold, and
when the opportunity came to witness the thrilling conclusion, he jumped
at the chance.
“I volunteered for a playoff in case it came down to that, so
when they called me to work the playoff on Monday, I said I’d
be there,” he says. “It was a smaller group for the playoff,
so we each worked four different holes, and I was right down by the
green on each one.”
Franck started on hole No. 3, then went to No. 7, No. 11 and No. 15
before returning to No. 7 when the players forced a one-hole playoff.
And as the golfers and volunteers moved through the course, so did the
spectators.
“The fans were going crazy,” Franck says. “There would
be people waiting at each hole, but as the golfers moved to the next
hole, the fans would leave their seats and follow the action. By the
end of it, there was a huge crowd following these two players.”
Even though Tiger Woods is the unquestionable face of the sport, Franck
noticed that the fans seemed to be split evenly in their cheering.
“There were just as many cheers for Rocco as there were for Tiger,”
he says. “All the older guys were cheering for Rocco, and it was
great for him. He’s a very nice guy and he was so gracious, you
could tell that he was just happy to have the opportunity to play against
the best.”
Overall, Franck says that the tournament was well-organized and that
it was an experience he’ll never forget.
The Boulevard
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